'Fictcryptokrimsographs' by Les Krims

£35

Les Krims’ work has consistently challenged the conventions of photographic truth through elaborate staging, satire and dark humour. Rejecting the authority traditionally granted to documentary photography, his practice—often controversial—foregrounds artifice, theatre and the imaginative possibilities of the medium. Frequently featuring disquieting representations of the female body, Krims draws on the visual language of American advertising, popular culture and domestic life to expose the absurd, grotesque and psychologically charged tensions underlying everyday imagery.

In Fictcryptokrimsographs, Krims pushes staged photography into a hybrid territory where performance, psychedelia, collage and surrealism collide. The series reads as a vivid capsule of a moment when photography intersected with the experimental energies of performance, counterculture, and conceptual art. Using Polaroid - a medium often associated with immediacy and truth - Krims reveals image-making to be fundamentally malleable. Working with the chemistry of the film, he intervenes during development, so that the photograph becomes materially unstable and possible to physically manipulate. The resulting images form a strange fusion: part performance document, part painterly surface, part visual hallucination.

Size: 15 x 16.2 cm
Cover Type: Softcover with UV Spot Varnish
No. of Pages: 46
Edition: 500
Publisher: Graces Mews, 2026
ISBN: 978-1-0682204-2-5

Produced to coincide with the exhibition Les Krims: Fictcryptokrimsographs currently on show at Graces Mews, this capsule brings together 40 hand-manipulated Polaroids, in which Krims pushes the genre of staged photography into a radical hybrid of performance, psychedelia, collage and surrealism.